With all the horrors in the world, why consider the story of Gillian Anderson? Gillian Anderson serves as an excellent catalyst for discussion on the standing of today’s female in society and the necessary battle we must contend with in the now weakened fascist-like regime over our current culture. Of course, Gillian Anderson was sporting Goth and chain-smoking her clove cigarettes during the period prior to accepting a job with old Hollywood on that Fox Sci-Fi sitcom. Anderson’s devotedly inseparable core values against oppression inevitably clashed with old corp. Hollywood. When in 2002, at the top of her game, in her prime, with the masses wanting more, and with strong public support and approval, why would Gillian Anderson possibly want to quit, run from Los Angeles and immediately leave the country? By not doubting one’s own senses, one can conclude the obvious. Her specific motives she only knows but there are many to choose from, the least of being her reputation of having adverse reaction to living and working with fascist corporate oppressors and bootlicking Nazi-sympathizing co-workers; working for the flagship of America’s media-monopoly; and, her total lack of interest in the genre. (For the entire article see, fametastic.co.uk forums topic 236). After a decade, bearing children and pushing towards the spectrum of middle age, Gillian Anderson's previous title, reigning supreme through the nineties as one of the most beautifully crowned and most popular females ever -in spite of her tattoos- remains securely in tact. She was/is the people’s choice. Is it Gillian Anderson's inherent kindred spirit that is key, the timeless and nurturing seed that enables her perennial beauty to bloom year after year? In 2008-09, Gillian Anderson may be out of sight, out of mind, but she hasn’t fallen too far from grace. Her candle burns bright, (it’s the candle-stand that’s lacking.) Compared to Anderson’s reign lasting a decade, today’s corporately manufactured “celebrities” pushed upon society via old Hollywood may be famous, but calling them popular is quite a leap. Gillian Anderson ushered Fox Studios’ Sci-Fi sitcom to phenomenal fame when she took on the one-sided, shackled, and micro-directed T.V. acting role in the network series. Was it greed and paranoia motivating those particular corp. department heads responsible for restraining Gillian Anderson to such personal and professional bondage, or something even more sinister? Ignoring Anderson’s inherent rights as a free artist to grow within the sitcom and refusing to support her pursuit of other more challenging career prospects of deeper substance outside their ironfisted contractual control is less than the American way, or is it? If our standard is to allow our corporate biased judicial system to dictate to our nation’s professional actors or artists as to how, when or what they render, and under whose organization they plant their flag, then it is CLEARLY DESPOTISM that rules our nation. At the level of playing field that Anderson had arrived, she soon became enlightened to the typical hardened demands that famously accompany contractual benefactors or financiers. Old Hollywood contracts have earned the nickname ‘lifelong’ contracts. Working for old Hollywood, even once, is like joining the mafia. Gillian Anderson found herself deep inside our nation’s twisted media-arts monopoly machine, via her career path. She had become their employee or unspoken prisoner. Today, Gillian Anderson maintains even though corporate-types have continued to bully her with B and C-list projects (and budgets) with the usual cheap and/or sexually oriented roles. Old corp. Hollywood, in their relentless stalking of Gillian Anderson, must be laboring under the illusion that they own her and that she owes them, and must be obsessing in their desire to retrieve some small portion of the losses suffered when her freedom of choice killed their golden goose series and potential movie venues. Few who are informed would deny that these are mere excuses to take vengeance upon Anderson. There’s no guarantee that old Hollywood will ever forgive and forget the billion-dollar-loss and insult that Gillian Anderson served them in 2002. Old crime Dons never forget a betrayal. Obviously, dying corp. Hollywood has made Gillian Anderson’s box office name and reputation their shining beacon for God-awful cinema junk. Those in the industry are well aware that old Nazi Hollywood is involved in a spectacular plot against Gillian Anderson; attempting to keep her in servitude to their grossly artistically inept projects designed specifically for money-scamming-enterprises, as retribution (for their multi-billion-dollar investment losses suffered when she quite their flagship -Fox- and Sci-Fi sitcom.) Audiences have been bombed with her forced or highly suspicious presence in total crap movies that had her in absurdly miscast roles, or truly terrible character roles or roles that were -without doubt- simply lame. Regardless, to her massive Internet followers, despite any bad press, she can apparently do no wrong. It seems she has a righteous allure that is like bees to honey. Today’s dying media-arts, and their appointed actors, are based solely on the demographic statistics most likely to generate the highest profit margins for old Hollywood’s corp. conglomerates; statistics favoring brainwashing of specific targeted social sectors; and demographic formulas favoring the success of implanting a collective cultural mind-state dictated and/or directed by the government and managed/produced by old Hollywood. Few upright individuals (or even sympathizers of today’s Nazi Bush-Hollywood regime) would argue these facts. Gillian Anderson may have escaped the lair (Los Angeles) of Nazi Hollywood. Yet, none of us can escape our own cross worth bearing, and she is no exception. If wisdom is only acquired through long suffering, Gillian Anderson should emerge with great wisdom, which would be beneficial in pursuing her dream as a character-actor. It’s unquestionable that Gillian Anderson does have something. Gillian Anderson is hot. She just is. Some may never understand why so many praise Gillian Anderson as one actor in our time that has great worth and substance, and one artist who is considered a viable contribution to this generation, though today, IT’S VOGUE TO KNOW.